Saturday, July 28, 2018

ដកស្រង់រូបផ្សេងៗមកប្រើក្នុងក្បាច់ភ្ញីភ្លើង

 The use of mythical characters in Kbach Plmi Plcung Mythical characters are often used in com tions of Khach Phni Pleung. In the Following pai figures, the left side of the figure shows the process Of‘ and the right sicle of the figure shows a possible final ll Kab seen from the side ការប្រើប្រាស់តួអក្សរទេវកថានៅក្នុង Kbach Plmi Plcung តួអក្សរធម្មជាតិត្រូវបានគេប្រើជាញឹកញាប់នៅក្នុង com Khach Phni Pleung ។ នៅខាងក្រោយប៉ៃ រូបភាពខាងឆ្វេងបង្ហាញរូបភាពដំណើរការនៃ ' និងស្ត្រិចស្ត្របថនោយបងា្ហាញពីលទ្ធភាពដ្រលអាចកើតឡើងបាន Kab មើលឃើញពីចំហៀង ...

ក្បាច់ភ្ញីវល្លិ​ kbach phni voa

ស្លឹកមូលដ្ឋានត្រូវបានគេយកទៅលាយក្នុងទឹកដោះគោ ឬកែលម្អពីប្រភពធម្មជាតិ។ Kbaclt Phni Voa ផ្តល់ឱ្យ វិចិត្រករពិសេសសេរីភាពក្នុងការអភិវឌ្ឍនិង បំរែបំរួលចាប់តាំងពីស្លឹកដើមទងផ្កានិងផ្កាបានយក ស្ទើរតែដោយផ្ទាល់ពីធម្មជាតិអាចត្រូវបានប្រើនៅក្នុងរបស់ខ្លួន បន្សំ។ ស្លឹកដែលបែងចែកជាភីនីវ៉េនិងភីនីស ហាក់ដូចជាដូចគ្នាបេះបិទ។ ទោះបីជាការរៀបចំលម្អ ol'P | 1n វ៉ុនមានបន្ទាត់ច្រើន។ ខណៈពេលដែលការរៀបចំរបស់ Phni Tes មាននិន្នាការក្នុងការប្រើស្លឹកដែលឱបហើយនៅជុំវិញដើម។ The basic leaf used in Kbach Phni Voa is distilled or improved from natural sources. Kbaclt Phni Voa gives the artist particular freedom in its development and variation, since leaves, stems, buds and flowers...

.ក្បាច់ភ្ញីភ្លើង Kbach Phni Pleung

The basic form of Kbach Phni Pleung is said to derive from the shape of tongues of flame in a brightly burning fire. These flames are “improved”, or stylised, into an ornamental form characterised by a small base, thicker middle, and flickering rip. ...

នាងបុញ្ញាកាយចេញពីផ្លើង(ក្នុងរៀងរាមកេរ្តិ៍)

...

ក្បាច់ភ្ញីអង្គរ​ kbach phnni angkor

Figure 141 offers another possible division in which the details of the round center are adjusted to fit the degree or division in the surrounding petals. Figures 142 and 143 cannot really be called Chan flower shapes anymore since the Chan flower shape requires :1 round center surrounded by petals. The examples offered in figures 141 and 145 can instead perhaps be called square shapes divided as Kbnch Angkor. រូបភាព 141 ផ្តល់លទ្ធភាពមួយទៀត ផ្នែកដែលពត៌មានលំអិតនៃជុំនេះ កណ្តាលត្រូវបានលៃតម្រូវដើម្បីកំណត់សញ្ញាប័ត្រឬ ការបែងចែកនៅក្នុងបំពង់ជុំវិញ។ តួលេខ 142 និង 143 ពិតជាមិនអាចត្រូវបានគេហៅថាចាន់ទេ រូបរាងមិនមានទៀតទេចាប់តាំងពីចាន់ រូបរាងផ្កាត្រូវការ: 1 ព័ទ្ធជុំវិញដោយផ្កាកុលាប។...

ក្បាច់ភ្ញីភ្លើងក្នុងទំរង់ត្របកឈូកចំហៀង ឬកន្ទុយហង្ស

Figures 101-104 show examples of the shape of the lotus petal seen from the side (or the mythical goose tail shape) divided _as Kbach Phni Pleung. The overall shape is outlined (101) and then internally divided (102-104). In this example, the ornament has been drawn freehand with no guides...

ក្បាច់ផ្ការំយោល kbach pka romyol

Sometimes natural examples strongly influence ornamental flowers, and botanical names can even be used to designate these ornaments. Figure 156 shows an ornament sometimes called the razrzfzzol flower (Hfbisczrs .<agz'z't1yb[z'zzs). Figure 137 shows this flower open, sur- rounded by Phni Tes leaves. In figure 138, an additional flower and a bud have been added to the same type of model.  ...

kbach phnnites ក្បាច់ភ្ញីទេស

A mythical figure or a flower (as in thisexample) is tied (jong) at the point of extensionto serve as the master ornament (Z33). Petals areclrawn to surround the stern, and flowers andbuds are added to fill empty spaces (234).Figures 235 and 236 show the Further elaborationofthe ornament into its final Form (237). ...

kbach dok chan angkor ក្បាច់ដកចាន់អង្គរ

Figure 159 shows another detailed division of the Chan flower shape. procetling from petal to petal cloclavise from the top lefi petal of the figure to the bottom right petal of the figure. Again, we use this method ofillustration to explain the process of division, noting that the ornament as a whole would never be used in this uneven Form. In figure 140, complex division occurs with the round center divided into various types of shapes (buffalo teeth, /rrlrzgjang, frontal lotus petals). Again we use this method to illustrate possibilities; an actual ornament would only malte use of one of these shapes to divide its center. The...

ទំរង់ត្របកឈូកចំពីមុខក្បាលនាគមានរាងជាក្បាច់អង្គរ

Figures 13 through 17 illustrate different ways of internally dividing the basic frontal lotus petal shape by Kbach Angkor. Again, initial division (jaik) is shown on the left of figures 13-16, while completed division is shown on the right. The ornaments would never be used in this split form, although we find it useful as :1 way of illustrat- ing steps in the process of internal division. Figure 16 inserts the figure ofa deity at the center of the ornament. while figure 17 transforms the center of the ornament into the head of a ncak, or mythical serpent. ...

khbach phni angkor

On the following pages we show sketched exam- ples of frontal lotus petal shapes intricately divided as Kbach Angkor. These are simply examples and manv other complex ornaments can be created, depending oi) the individual taste and creativity of the artist as well as the patron commissioning a work. On the following pages we show sketched exam- ples of frontal lotus petal shapes intricately divided as Kbach Angkor. These are simply examples and manv other complex ornaments can be created, depending oi) the individual taste and creativity of the artist as well as     ...

ក្បាច់ភ្ញីភ្លើង Kbach Phni Pleung

The basic form of Kbach Phni Pleung is said to derive from the shape of tongues of flame in a brightly burning fire. These flames are “improved”, or stylised, into an ornamental form characterised by a small base, thicker middle, and flickering rip. ...

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